Charo López
Verso a Verso
After having studied philosophy and philology Lopez went to the "Escuela Oficial de Cinematografia de Madrid" and studied interpretation. The first part of her filmography was mainly made by young directors until she was discovered by Gonzalo Suárez ("Diatrambo (1967)") with whom she worked again once in a while after that. In Spain she became definitly famous with the television series "Gozos y las Sombras, Los" (1981) as "Morena Alba".

She studied at the Official Film School and perfected his theatrical technique while working in numerous dramatic spaces on Spanish Television and in series such as Los camioneros, by Mario Camus and El picaro, by Fernando Fernán Gómez.

Her time in the cinema at the beginning of the 1970s is reduced to the spaghetti western (The sun under the earth, The Malpelo bandit) and films of low projection that only highlight his photogenicity and his resounding beauty. Luis Buñuel approves her participation in La Vía Láctea (1969), but the French actors' union prevents her because she is an unknown actress. His collaboration with Gonzalo Suárez continues in The Strange Case of Doctor Fausto (1969), La Regenta (1974) and Parranda (1977).

• 15 de Octubre de 2021 - Sagunt
• 22 de Octubre de 2021 - Tarifa
• 31 de Octubre de 2021 - A Coruña
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Emilio Gutiérrez Caba
Coplas del Alma
Actor in cinema, theater and television, comes from one of the recognized family sagas within the scope of interpretation. Naciæduring a theater tour his entire family has always been devoted to theater and cinema, so his childhood and adolescence took place in an environment that determined his vocaciblin artæ.

He has an artistic trajectory of half a century between his works on the stage and the light bulbs of the small to ñ and the big screen. His career as a professional actor began in 1962, when he was on his first tour with ñ actress Lilí Murati, until in 1968 he formed his own along with Marsion José Goyanes.

Since 1963, Gocelloide has been working in theater with well-known people within the world, where it has already added more than 80 ttulos, among which the "Community", of Á former church by which Gocelloid received the best actor of rearto" in the ñ 2000 and repitithed100 or. Then with Miguel Albadalejo's tape "The open sky".

• 13 de Marzo de 2021 - Teatro Municipal de Roses
• 14 de Marzo de 2021 - Auditorio Centro de Congresos de Barbastro
• 15 de Marzo de 2021 - Bilbaopoesía
• 19 de Marzo de 2021 - Teatro Ideal de Calahorra
• 23 de Abril de 2021 - El Secadero -Los Llanos de Aridane
• 2 de Mayo de 2021 - TAMA de Aldaia
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Héctor Alterio y José Luis Merlín
"Como hace 3000 años..." Music & Poetry
Alterio's theatre debut came in 1948 as the lead in Cómo suicidarse en primavera ("How to commit suicide in spring"). After finishing drama school, he created the Nuevo Teatro ("New Theatre") company in 1950, where he worked until 1968 and helped change the Argentine theatrical scene of the 1960s.

He also worked in the Argentine cinema. His debut on the silver screen took place in Alfredo Mathé's Todo sol es amargo (Every sun is bitter) in 1965. He then participated in many of the most important Argentine movies of the 1970s, including La Patagonia rebelde (The Rebel Patagonia), which was awarded a Silver Bear at the 24th Berlin International Film Festival.[2] His voice was used in Ya es tiempo de violencia (1969), an anonymous film about the Cordobazo riots which took place the same year. The film was produced by Enrique Juárez, close to the Grupo Cine Liberación.

While in Spain in 1975, he received death threats from the Argentine Anticommunist Alliance. He decided not to return to Argentina and remained in exile.

Consequently, Alterio began to work in Spanish films, including A un dios desconocido (1977) and received the Best Actor award at the Donostia-San Sebastián International Film Festival, and El nido (1980), and for his effort received the Best Actor award from the Association of Latin Entertainment Critics in 1983.

After the restoration of democracy in Argentina in 1982, Alterio worked in films produced in both countries and some co-productions.

In 2004 he received an Honorary Goya Award for his lifetime body of works.
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Borja Niso - Tributo a Ludovico Einaudi
The power of dreams
I was born in Madrid in 1980, and as much as I find it difficult to admit it, I must admit that I am not a musician by profession (though I would like to). Before my big change in life, I had earned a living as an entrepreneur and a computer engineer since I finished my university studies in 2003.

A little over three years ago (in April 2016) I started playing the piano on my own, which shows, in my view, that it is never too late to fulfill a dream. It all started after I fell in love with the music of Italian composer Ludovico Einaudi, whom I had the opportunity to listen to for the first time at the Real Madrid Theater that same year. Thanks to Ludovico, I have discovered my true passion and sense in life: music.
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