Héctor Alterio y José Luis Merlín
"Como hace 3000 años..." Music & Poetry
Alterio's theatre debut came in 1948 as the lead in Cómo suicidarse en primavera ("How to commit suicide in spring"). After finishing drama school, he created the Nuevo Teatro ("New Theatre") company in 1950, where he worked until 1968 and helped change the Argentine theatrical scene of the 1960s.

He also worked in the Argentine cinema. His debut on the silver screen took place in Alfredo Mathé's Todo sol es amargo (Every sun is bitter) in 1965. He then participated in many of the most important Argentine movies of the 1970s, including La Patagonia rebelde (The Rebel Patagonia), which was awarded a Silver Bear at the 24th Berlin International Film Festival.[2] His voice was used in Ya es tiempo de violencia (1969), an anonymous film about the Cordobazo riots which took place the same year. The film was produced by Enrique Juárez, close to the Grupo Cine Liberación.

While in Spain in 1975, he received death threats from the Argentine Anticommunist Alliance. He decided not to return to Argentina and remained in exile.

Consequently, Alterio began to work in Spanish films, including A un dios desconocido (1977) and received the Best Actor award at the Donostia-San Sebastián International Film Festival, and El nido (1980), and for his effort received the Best Actor award from the Association of Latin Entertainment Critics in 1983.

After the restoration of democracy in Argentina in 1982, Alterio worked in films produced in both countries and some co-productions.

In 2004 he received an Honorary Goya Award for his lifetime body of works.
 
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Los Sabandeños
GIRA ESPAÑA 2019
Los Sabandeños are the best-known folk music group on the island and abroad. The group was set up in 1966 by a group of young university students in La Laguna and since then they have recorded more than 40 records of Canarian and South American popular music. They often perform at concerts in Europe and South America and in 1973 were named "Best international folk music group" by the North American magazine Record World.

Many hits mark the musical career of the Los Sabandeños, ever since "Misa Sabandeña" was released in 1970, but perhaps their biggest hit was "Cantata del Mencey Loco," in 1975. The group are still playing today, performing around the island and abroad, as well as recording new songs. The members of the group always wear traditional costume and the classic "manta esperancera," a typical coat worn by farmers in the colder areas of Tenerife.

Next concerts:

• 1 de Julio - Plasencia - Teatro Alkázar - Con Sole Giménez
• 2 de Julio - Mérida - Plaza de Toros - Con Sole Giménez
• 27 de Agosto - Jaén - Festival Folk Jodar
• 28 de Agosto - Almuñécar - Parque del Majuelo

 
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Ian Gibson - Como canta un poeta
Abierta Contratación 2019
El hispanista Ian Gibson aproxima a los espectadores la figura de Lorca, su muerte y anécdotas de vida en un precioso recital junto al pianista Antonio López y el barítono Luis Santana que recuperan las canciones del poeta granadino en homenaje al 120 aniversario de su nacimiento.



Junto a las explicaciones de Gibson y acompañado por imágenes que se proyectan durante el espectáculo, Luís Santana pone voz a las 16 canciones populares recopiladas y armonizadas por García Lorca entre finales de los años veinte y mediados de los treinta del pasado siglo.



En este concierto/conferencia suenan por primera vez tres piezas hasta el momento inéditas. Las composiciones que el público podrá escuchar por primera vez corresponden a Mariana Pineda, una canción de corro de niños armonizada por Federico de una manera muy sencilla; Canción de otoño en Castilla, una obra triste, con la melancolía del otoño, que recopiló en su paso por Burgos en 1934; y Duérmete niñito mío, una nana muy gitana, una partitura que aporta el propio Ian Gibson, en tanto que las otras dos estaban en la Fundación Federico García Lorca.



El hilo conductor del espectáculo son esas canciones, tanto las inéditas como las que ya han sido dadas a conocer por artistas como Teresa Berganza o Victoria de los Ángeles. Canciones a las que Ian Gibson contextualiza en diversas épocas de la vida de Lorca para así tener una aproximación más íntima hacia el poeta granadino.

 
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José Mercé y José Manuel Zapata
Tango Mano a mano
In November 2010 he recorded TANGO for SONY, in which he sings the masterpieces of Carlos Gardel, earning the plaudits of critics and public. For this project the Spanish tenor is joined by José Mercé, one of the most important figures from the current flamenco scene.

Since his debut 7 years ago, José Manuel Zapata has become one of the most important tenors of his generation. In the short period of time since his first performance at the Opera de Oviedo in 2002, Zapata has sung in some of the major Opera theaters of the World: Teatro Real de Madrid, Teatro Liceo in Barcelona, Rossini Opera Festival in Pesaro, Deutsche Oper in Berlin, Theatre of the Champs Elysees and Chatelet in Paris, Teatro San Carlo in Naples, Teatro Massimo of Palermo, etc.

Jose Merce is a flamenco singer from Jerez de la Frontera and is one of the most popular new flamenco singers in Spain today. He began singing at the age of six, becoming a soloist in his local church, La Basílica de la Merced in Jerez, while improving his natural skills by participating in Antonio Gades' theater company.

• 8 de Mayo - Teatro Municipal - Benicassim
• 10 de Mayo - Teatro Municipal - Guadix
• 16 de Mayo - Teatro Buero Vallejo - Guadalajara
• 17 de Mayo - Palacio de Congresos El Greco - Toledo
• 22 de Mayo - Teatro Circo - Albacete
• 23 de Mayo - Auditorio Municipal - Fuentealbilla

More info: http://josemerceyzapata.com/
 
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